(" Tree to Get Ready")Īfter this, Roger was elected mayor of Danville.
Heinz plotted to cover Roger in pigeon poop at the ceremony to ruin the event but was thwarted by Agent P, and Roger's ceremony went flawlessly. This implies that he may only dislike his brother's evil actions, and not him himself.Īs an adult, Roger was awarded the Key to the City of Danville. Sadly Heinz, trying revenge, ruins the replica (" Magic Carpet Ride"). This is notable in an episode where Heinz painted a lovely amazing painting and Roger ruined it Roger feels bad about it and even goes forth to spending the city's fundings to reproduce a replica of the painting for Heinz. While it seems that Roger knows that his mother despises his older sibling, and seems to enjoy seeing himself being loved by everybody (and, sometimes, seen his brother humiliated in public) Roger appears to have a deep sibling love for Heinz himself, unlike his other relatives. It is also known that Roger was and is an outstanding kickball player, and since his mother loved kickball, he had all his mother's love when Heinz was completely neglected. Mom and Roger hug while Heinz watches depressed. Roger was always the "goody-two-shoes" type and carried this trait to adulthood. This made Heinz, who had enough on his plate with being forced to dress like a lawn gnome, even more miserable. (" Gaming the System")Īccording to Heinz, Roger was his mother's favorite child growing up. But instead, Roger was born a boy, and so all his planned clothes were given to his brother, Heinz, and he was forced to wear them. In particular, Hamilton lets his older women (meaning: older than 22!) hint at expressing their sexual desires, but cruelly these desires always remain unsatisfied – Mingozzi is much more merciful in that respect.Before Roger's birth, his parents were expecting a brand new baby girl, so they knitted dozens of dresses for their baby girl. In Hamilton’s case the word “nymphettes” inevitably springs to mind, while Mingozzi’s objects of desire are less obscure – quite simply “women”, of different ages and shapes. Perhaps the most striking difference between both films are the objects of sexual interest. Keeping the plot bubbling along was also not one of Hamilton’s strengths – he focuses on scenes and lighting, while ‘Exploits…’ is overall a more rounded picture. Our Roger may be hormonally oversupplied, but the find-a-girl-to-settle-down hormone is nowhere to be seen. Hamilton’s film closes with a romantic happy ending that just does not ring true and Mingozzi avoids this fault. In both films, he makes use of that – first cautiously, then with increased confidence and vigour.īut while Mingozzi must have seen Tendres Cousines, his film is not a carbon-copy by any means. In both films, the outbreak of war is used to make women more ‘available’ to him, since the adult males are conscripted or volunteer for the army.
In both films, the viewer largely experiences the story through this boy.
In both films, we have the sexual awakening of a male teenager during the outbreak of WWI as the centre piece of the story. In setting and story, this film is fairly similar to David Hamilton’s Tendres Cousines. Roger desperately tries to marry off the women to other men to avoid a lurid scandal. He soon impregnates the maid, his aunt, and his sister in quick succession. Roger goes overboard when he is presented with several amorous opportunities. His initial efforts are unsuccessful, but World War I breaks out and men are seen marching off to battle. Roger (Fabrice Josso) is a 16-year-old who seeks to lose his virginity in this softcore erotic drama. 1h 35min | Comedy | 6 January 1987 (Italy)
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